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Materials: Cotton muslin, linen
thread.
Provenance: I purchased this apron
in New York state. No family history/documentation available. The
fabric was probably made and embroidered in the East (India?) for the Western
market.
Condition: Excellent for its' age.
There are a few 1/4" holes and one 1/2" hole. Also, three
1" brown stains, several tiny stains and several period mends.
Measurements: 38"W x 38"
L.
Comments: Museum quality and
extremely rare. An unusual example of a ladies formal apron meant to be
worn with a fashionable 18th century open gown. The top of the apron is
cut to mold to the wearer's waist. Also at the apron's top is a narrow
channel, turned and hemmed, for the draw string tie. The whimsical
figures embroidered on the apron clearly demonstrate the 18th century passion
for Chinoiserie: a bird alighting on a carnation swoops to catch a
butterfly, a leopard leaps out of the forest, a figure serenely offers the
viewer a flowering branch. With exquisite attention to detail these and
other motifs are embroidered in linen and embellished with drawn-work. The
scale used for these motifs is large for such a dainty apron. Perhaps the
original owner enjoyed bold statements in her dress! In my own reference
library I found several examples of 18th century handwork of a similar
sensibility. The Wadsworth Atheneum's exhibition catalog, Dress from
Three Centuries, shows a similar patterned embroidery on the c. 1750-1775
dress shown on pages 10 & 11. Linda Baumgarten's Eighteenth-Century
Clothing at Williamsburg has white on white muslin aprons pictured on pages
40 & 43. Last, but by no means least, in the Cora Ginsburg
1999 Costume, Textiles, Needlework catalog a c. 1720 Chinoiserie Crewel
Curtain is featured as the final offering in the catalog; the embroidery motifs
and arrangement is remarkably similar to those in the apron offered here for
sale.
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